Originally published to broadwaybaby.com
Journalist Lauren Booth’s first solo show, Accidentally Muslim, promises a journey from ‘Soho hedonism’ to a shocking revelation in a mosque. The journey she actually goes on – through life and through this performance – is fascinating in its own right but doesn’t match the one promised.
If you’ve ever felt stuck between two groups, both suspicious of you and neither accepting of the other, you may have the slightest indication of what Koko Brown is trying to communicate in WHITE, her solo show about being mixed race in modern Britain.
There is nothing so delightful as watching something you assume to be impossible done before your eyes. Attrape Moi, by Quebecois company Flip FabriQue, perfectly captures this delight in every single moment of its packed Fringe offering returning from 2016. The fast-paced acts and character driven transitions eschew grandstanding and fishing for applause in favour of keeping the show going, but the audience has no trouble interjecting to show their appreciation.
We all remember the feeling of temptation to open the box that we’re not supposed to open as a small child. Judging by his excellent performance in Stick By Me, Andy Manley does too. On a minimal but hugely effective set, he goes on a complete adventure with a cast of other characters – all of them lolly sticks.
Backup, a mix of puppetry and gestural object theatre, is a half hour of pure delight. Performers Julie Tenret, Sandrine Heyraud, and Sicaire Durieux are joined onstage by an absolutely stunning miniature set by Zoé Tenret and beautiful puppets by Waw Studios and Joachim Janin. Though suitable for children, there were very few in the audience and one took an understandable fright and had to leave halfway through the performance. The inner child of every adult in the audience, however, was in raptures.
Originally published on broadwaybaby.com
You know you’re at a good circus when you expect your jaw to drop, only to realise it’s already on the floor. My Land, produced by Recirquel Company Budapest in association with Müpa and playing until the 26th at Assembly Roxy, is one such performance. Absolutely stunning feats of strength and flexibility combined with the best technical design I’ve ever seen at the Fringe make for a captivating hour and a well-earned standing ovation.
I'm Alex, a theatre-maker based in the Bay Area with an outpost in Edinburgh, Scotland.